PIANIST GLENN GOULD | REJECTING THE ‘BLOODSPORT’ CULT OF SHOWMANSHIP

The Selvedge Yard

“A record is a concert without halls, and a museum whose curator is the owner.”

Glenn Gould was blessed with a musical talent that few have managed to match in our lifetime. A ‘child prodigy’ pianist, he was thrust into fame’s spotlight in 1955 at the age of 22 when Columbia released his groundbreaking Bach ‘Golberg Variations.’ (Gold was his birthname, which his parents had changed to “Gould” over fear of anti-semitism during WWII– the family was not Jewish. When he was often asked his religious ancestry he’d remark, “I was Jewish during the war.”) His rebellious style, anti-establishment vibe, and longish locks also made him a sort of counter-culture icon of Classical music.

Gould’s incredible playing– inventive, unorthodox, and originally shunned by classical purists like Leonard Bernstein, was often noted by a manipulated tempo, sometimes very fast, yet each note amazingly clear. He was also known for…

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