One of the Canterbury Scene’s main men, Daevid Allen talks about how his travels brought him to Canterbury and being part of the Scene.
Australian born Daevid Allen is one of the Canterbury Scene’s leading men. He came to England in the very early sixties, arriving in Canterbury via London. He’s best known as the leader of the Canterbury band Gong.
In this interview he talks about how his travels brought him to Canterbury and whether or not he thinks there was ever a ‘Canterbury Scene’.
Guitarist and singer Steve Hillage came to Canterbury in 1969 to attend university. Within weeks he’d found his way into the Canterbury Scene.
Steve was studying History and Philosophy but spent a good deal of time jamming with other musicians active on the scene in those years. He was particularly friendly with the members of Caravan, and through them he was able to get a record deal.
Steve Hillage talks about his early days in Canterbury.
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Although for many years Robert Wyatt denied the existence of The Canterbury Scene he is certainly inextricably linked to Kents own special sound and the bands that developed it into something lasting.Moving with his parents to Lydden near Dover, before he was a teenager, Wyatt was exposed to all sorts of musical influences from the lodgers who rented rooms in the 14 room house. It was here he met jazz drummer George Neidorf and Australian hippie Daevid Allen.
Robert Wyatt talks about the early day’s of his musical education.
Originally from Leicestershire, Peter Geoffrey Richardsons playing has graced many a Canterbury Scene track.He joined Caravan in 1972 as the viola player but also counts guitar, mandolin and cello amongst the many instruments he can play. Richardsons arrival in Caravan coincided with the departure of the Richard Sinclair and his cousin David. Some fans objected to his viola replacing Davids keyboards but he became an integral part of the bands developing sound. He describes how one Caravan track Memory Laine, Hugh was dreamed up.